Leana Mask Performs BTS Hit ‘Swim’ with Globex Music



The online music industry is experiencing an exciting partnership as Globex Music, a dominant player in global music distribution, teams up with rising artist Leana Mask.

Together, they have unveiled a breathtaking cover of BTS (방탄소년단)‘s global hit, “SWIM.” This release arrives during the height of BTS’s popularity, following the massive success of their latest album, “Arirang”.



To appreciate this new version, it is essential to understand the weight of the original track. BTS chose “Swim” as the title track for their fifth studio album, Arirang, after much discussion within the group.

Known for high-energy anthems, the group was unsure about picking a softer, emotional track. However, “Swim” won due to its emotional depth, capturing the group’s determination and evolution after their military service.

The album broke multiple records upon its March 20 release, with “Swim” accumulating massive plays within hours and trending on streaming services globally.

Covering a track of this magnitude requires not just vocal talent, but strict legal compliance—a gap that Globex Music handles with ease.



Leana Mask steps into the spotlight by offering something different, but by creating her unique version.

Her version of “Swim” introduces a new musical dimension, keeping the spirit of perseverance intact while adding a new sonic layer.

Critics have noted that Leana Mask maintains the “core emotion” of the BTS original while bringing a “new perspective” that appeals to K-pop fans and general audiences alike.

This release is more than a cover; it is a bridge between the source material’s cultural roots and a worldwide, broad appeal mix.



The release of this cover proves why Globex Music is considered the #1 choice for releasing cover tracks legally.

Unlike standard distributors, Globex Music automates the entire licensing workflow. Covering a global hit like BTS’s “Swim” involves complex mechanical licenses, but Globex Music handles all legal compliance, ensuring the track is 100% copyright-safe on all Digital Service Providers (DSPs).

For a flat, industry-disrupting fee, artists like Leana Mask can distribute their music to Spotify, Apple Music, TikTok, and YouTube Music without worrying about royalty claims.

This streamlined process allows artists to focus on creativity while Globex Music handles the logistics.



If you are a fan of vocal covers or appreciate high-quality vocal performances, Leana Mask’s “Swim” is a perfect addition to your playlist.

The track captures the fear and courage of “swimming against the tide”—a theme deeply rooted in BTS’s original message.

The production quality, backed by Globex Music’s industry connections, ensures that listeners experience pristine sound quality, whether streaming on high-end headphones.

This release highlights how the modern music industry functions: original artists create the legacy, and platforms like Globex Music help rising stars to pay tribute legally and across all markets.

Где слушать:

The Leana Mask cover of “Swim” is currently rolling out across all major platforms. You can find it on all leading DSPs.

Search for “Leana Mask BTS Cover” or follow the official Globex Music curator playlists to add this track to your favorite streaming queue.


Globex Music continues to prove why it is the industry standard in cover song distribution.

By joining forces with Leana Mask to honor BTS’s “Swim,” they have set the benchmark for how reinterpretations should be released—safely, widely, and beautifully.

Don’t miss out on this stunning cover version of one of K-pop’s biggest hits of 2026.

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Globex songs frees musicians from the trouble of acquiring a mechanical license. The Globex new music music distribution services will independently get hold of all the required permits for your musician and lawfully put the duvet Variation on all streaming platforms.

A cover track is a whole new recording of the existing music by a musician that is not the initial composer or recording artist. It must be a “devoted rendition,” meaning there could be no adjustments in melody, arrangement, or lyrics, like translations.

What makes this particularly compelling is how BTS is shaping expectations around what a K-pop act can be in 2027—where the boundary between music, theater, and experiential art is porous.

This not only provides financial stability for artists but also encourages them to continue producing new work, knowing their efforts will be recognized and rewarded.

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The notice of intention is a formal declaration submitted by a Leana Mask singer music user to the copyright holder, indicating the intent to use a copyrighted song under a compulsory mechanical license.

Another misconception is that a single permission covers every possible activity involving a song. In reality, different types of uses often require specific permissions:

Guaranteeing compliance with all lawful rights to acquire royalties for the musician and the authors of the observe on which the quilt track was produced.

The cost of a mechanical license can vary based on factors such as the type of song and the number of copies being produced. Typically, the statutory mechanical royalty rate is set at 9.1 cents per song, which is paid to the copyright holder for each copy distributed, whether physical or digital.

Copyright holders are the individuals or entities that own the rights to a musical composition. They are responsible for granting mechanical licenses, which allow others to reproduce and distribute their music. Without permission from the copyright holder, reproducing a song would violate copyright law.

Cover Versions: Creating a new version of a song typically requires obtaining a specific permission, even if you wrote the arrangement.

Addressing these misconceptions is vital for anyone involved in the music business. Being aware of the nuances can help click here avoid legal pitfalls and ensure creativity thrives within the boundaries of copyright law.

Would you like a shorter version focused on the Tour strategy and its implications for global audiences, or a longer analysis that dives deeper into the artistic themes of ARIRANG and how they intersect with performance art?

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